Year: 2018

Faces in the Crowd

Faces in the Crowd By Sabrina Hughes     Miki Kratsman’s exhibition People I Met at the University of South Florida’s Contemporary Art Museum (USFCAM) is a challenging exhibition, but maybe not for the reasons you would think. Though it deals with the emotionally and politically charged subject matter of the Israeli-Palestinian conflict, [...]

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My Camera My Self(ie)

My Camera My Self(ie) by Sabrina Hughes   In my History of Photography course, there is a class meeting on the syllabus dedicated to discussing selfies. I’m sure my undergraduate students roll their eyes when they see this and wait for me to deliver a punchline that never arrives. Discussing selfies, even uttering [...]

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DORMANT Edgar Sanchez Cumbas at HCC Ybor

Dormant by Caitlin Albritton, 2018   Suggesting something alive yet perhaps not actively developing, Edgar Sanchez Cumbas’s solo exhibition Dormant aims to question our internalized bigotry—the sleeping beasts within us—concerning colorism, racism, and identity. Converting statements Cumbas has overheard people make about race or color and turning them into titles, these bits of poetic [...]

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We can selfie if we want to

The upcoming essay by St. Petersburg photo historian Sabrina Hughes, My Camera My Self(ie), which will post on Bay Art Files next week, examines the complex relationship between photographic self-portraiture and the selfie. That such a relationship might exist and be scrutinized is explicitly suggested by the title of the current [...]

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Disturbed by Delight – Caitlin Albritton

Disturbed by Delight by Caitlin Albritton “Woman dressed as a turkey arrested for shoplifting,” “Someone donated a loaded grenade launcher to Goodwill,” “Man claims wife was kidnapped by holograms”—please, don’t let this be a headline from Florida, a local might plead. I can’t begin to imagine how non-Floridians make sense of the Sunshine [...]

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